I'm still using my opening sentences from Part 3 of this series about Dad and Christmas. If this were a novel or a short story, I'd set up the tension—slowly—and show the problems and hardships the family suffered—perhaps the loss of his job. Maybe their house burned and they had no insurance. What if someone had broken into their home and stolen all the presents and their money?
The previous sentences build the tension (the problem or conflict). Part of the building in any good story is to start with a problem. Instead of solving it, intensify it.
All the while, we're moving toward the climax. We start resolving the issues. Think of it as a ball of string. We unwind by resolving the last-mentioned problem and move toward the center. The initial problem (no Christmas presents) is the last one to solve.
Thus, once we set up the initial tension, everything else—including more conflict—propels us toward the ending. The solution. The resolution. The answer.
I continue to build a story
to push readers to the climax.